This year has been a tough one: politically divisive, lots of name-calling, scandals.
We here in Tucson, however, have had a great tool to help us cope: theater that illuminated, provoked, made us laugh, cry, think.
The first play of 2017 was Live Theatre Workshopโs funny and light โBuyer & Cellar,โ about an out-of-work actor hired by Barbra Streisand to manage her basement-turned-mini-mall featuring a few of her favorite things. (Streisand actually has such a place in her home.) Ending out the year: Arizona Theatre Companyโs breathtaking โMan of La Mancha,โ the heartbreaking and hopeful musical inspired by Cervantesโ โDon Quixote.โ
In between, there was Arizona Onstageโs knock-out production of โThe Producers,โ Arizona Repertory Theatreโs powerful โA Streetcar Named Desire,โ Something Something Theatre Companyโs very funny โMrs. Mannerlyโ โ the list goes on.
And it is from that list that we pull the winners of the 2017 Mac Awards. Now in its 17th year, the award is named for the late Mary MacMurtrie who, through her Tucson Childrenโs Theatre, spent much of the last century turning local youths into actors, directors and audience members. She taught that excellence was as important as heart, honesty and intent.
There was much of all those elements in our Mac nominees and winners:
Actor, comedy
- Keith Wick fully inhabited the multiple characters he played in Live Theatre Workshopโs โBuyer & Celler.โ
- Also at LTW, Matthew Copley was a hoot as the manipulative boss in โBelow the Belt.โ
- David Weynand was sublime as Johann Christoph Graupner, a neurotic who just wants to be everyoneโs No. 1 in The Rogueโs โBach at Leipzig.โ
- Josh Parra played multiple characters, from a young teen to a con man to a preacher in Live Theatreโs โThe Voice of the Prairie.โ He handled them all with aplomb.
- Alec Michael Coles was a pure delight as the arrogant and foolish Malvolio in Arizona Repโs โTwelfth Night or What You Will.โ Itโs a choice role and he made the most of it.
- Christopher Younggren showed deep heart and roots in his role as the storyteller in Live Theatreโs โThe Voice of the Prairieโ He takes the Mac.
Actress, comedy
- Carley Prestonโs etiquette teacher was scary and heartbreaking in Something Somethingโs โMrs. Mannerly.โ
- Lisandra Tena gave us delicious insight into her life as she performed the play she wrote, โGuera,โ at Borderlands.
- Jeanne Torresโ Samantha was seductive and funny in Invisible Theatreโs โIndoor/Outdoor.โ
- Vinessa Vidotto fashioned a cold and haughty, ridiculous and passionate Olivia in Arizona Repertory Theatreโs โTwelfth Night or What You Will.โ
- Samantha Cormier wowed with her performance of the blind Frankie in Live Theatreโs โVoice of the Prairie.โ The character transforms from a rambunctious teen fleeing a cruel father to an adult keeping the flame of an old love alive, and she owned the role. She takes the Mac.
Director, comedy
- Sabian Trout has an instinct for comedy, and she saw to it that Live Theatre Workshopโs โBuyer & Cellarโ was infused with it.
- Cynthia Meier directed the Rogueโs โBach at Leipzigโ with a visual eye and an obvious love of the material.
- Live Theatreโs โVoice of the Prairieโ could have been a gooey, sentimental piece, but Maryann Green made sure that did not happen.
- Also at LTW: Eva Tessler gave us a fast-paced and very funny โSeminar.โ
- Something Somethingโs โMrs. Mannerlyโ was infused with warmth and rhythm by Joan OโDwyer.
- Laughter flowed freely at Arizona Repertory Theatreโs production of โTwelfth Night or What You Will,โ directed by Brent Gibbs.
- Annette Hillman helmed Live Theatreโs โBelow the Beltโ and she made sure the humor punctuated the very dark aspects of the comedy. She takes the Mac.
Best comedy
- Live Theatre Workshopโs production of Jonathan Tolinsโ โBuyer & Cellarโ was an evening full of quick wit and frequent laughter.
- Also at LTW: โSeminar,โ which introduced us to writers hungry to learn and a writing seminar leader hungry for their money.
- Something Something Theatre Companyโs โMrs. Mannerly,โ Jeffrey Hatcherโs comedy about kids taking etiquette classes, was a stitch.
- Lisandra Tenaโs bio-play โGueraโ at Borderlands Theatre had us laughing one minute, horrified the next. But the laughter won out.
- LTWโs โBelow the Beltโ by playwright Richard Dresser provided laughter at the foibles of men whose universe is small but whose egos are big and who take a sort of vicious glee in playing the manipulative games that can define corporate life.
- The Mac goes to The Rogueโs pitch-perfect production of Itamar Mosesโ frothy, fugue-ish farce, โBach at Leipzig.โ It was a lightweight piece heavy with laughter.
Actor, drama
- R. Hamilton Wright shaped a Watson with a warmth and a cleverness in ATCโs โHolmes & Watson.โ
- Alec Williams captured the geekiness of a clumsy Romeo in Arizona Repertory Theatreโs production of โProof.โ
- The stage became almost electric when David Weynadโs King Duncan appeared in The Rogueโs production of โMacbeth.โ
- Bill Epstein impressed as Disney in the Scoundrel & Scampโs โA Public Reading of an Unproduced Screenplay About the Death of Walt Disney.โ
- Matt Bowdren was cold and cruel and perfect in The Rogueโs โPenelope.โ
- David Alexander Johnston gave distinction, and often gravitas, to his multiple roles in Invisible Theatreโ โLebensraumโ
- Keith Wick wrecked our hearts with his portrayal of the broken, ill man in Live Theatreโs โAnnapurna.โ
- The Mac goes to David Weynand, who was riveting in his often-funny portrayal of a hell-bent-for-destruction monk in The Rogueโs โThe White Snake.โ Weynand fully possessed the character โ a common trait we find in the actor.
Actress, drama
- India Osborne beautifully owned the guilt and determination that defined her social worker in St. Francisโ โLuna Gale.
- Alba Jaramillo crawled into the skin of the Mexican human rights lawyer Digna Ochoa in the moving and upsetting โDigna,โ staged by Digna Theater.
- Kelly Hajek handled the officious Clare character like a pro in Arizona Repertory Theatreโs production of โProof.โ
- Patty Gallagher breathed full life into to her snake transformed into a woman in The Rogueโs โWhite Snake.โ
- In the same Rogue play, Holly Griffith infused her character with humor and an impishness that was hard to resist.
- Rhonda Halquist was compelling as the woman who returns to help her ill husband after leaving their lousy marriage 20 years prior in LTWโs โAnnapurna.โ
- Marissa Medina Munter sank into Blanche DuBoisโ southern belle with rawness and honesty in Arizona Repertory Theatreโs โA Streetcar Named Desire.โ She made the characterโs vulnerability, mental instability and deep loneliness palpable. She takes the Mac.
Director, drama
- Hank Strattonโs insightful direction of โA Streetcar Named Desireโ at Arizona Repertory Theatre underscored the tragedy and poignancy of the story.
- Mark Klugheit directed the disturbing โLuna Galeโ at St. Francis Theatreโs with a clarity and a kind of urgency that served the story well.
- David Ira Goldstein finished out his 25 years at Arizona Theatre Company with a tense and mysterious production of โHolmes & Watson.โ
- Invisible Theatreโs โLebensraumโ had three actors playing about 50 characters. Susan Claassenโs smooth direction meant the audience was never confused.
- Cynthia Meierโs direction of The Rogueโs โThe White Snakeโ was as fantastical as the play.
- Also at The Rogue: Christopher Johnsonโs sharp, smart direction of โPenelope.โ
- The Mac goes to Bryan Rafael Falcรณn for The Scoundrel & Scampโs โA Public Reading of an Unproduced Screenplay About the Death of Walt Disney.โ It was a simple production that rarely called for an actor to move out of his seat on the stage. Falcรณn made sure the audienceโs attention never wavered and that the word-heavy script sang.
Best drama
- The young Scoundrel & Scamp Theatre staged an intimate production of the dark and delicious Lucas Hnath play, โA Public Reading of an Unproduced Screenplay About the Death of Walt Disney.โ
- Digna Theaterโs one-woman show, โDignaโ by Patricia Davis, powerfully told the story of Mexican lawyer Digna Ochoa, who was assassinated for her human rights work. It is an important story and it was told with grace.
- Little St. Francis Theatre hit it big with its production of the disturbing Rebecca Gilman play, โLuna Gale.โ
- Live Theatre Workshopโs poignant โAnnapurnaโ was dark and funny and moving.
- Itโs hard to think of a play that features men in Speedos as a drama, but The Rogueโs production of โPenelopeโ was thick with it.
- Arizona Repertory Theatre took on a big project with Tennessee Williamsโ devastating โA Streetcar Named Desire.โ The cast of University of Arizona students was not intimidated and gave us a powerful theatrical experience.
- The Rogue staged a breathtakingly beautiful production of Mary Zimmermanโs โThe White Snake.โ
- Arizona Theatre Companyโs world premiere of Jeffrey Hatcherโs โHolmes & Watsonโ was packed with suspense, atmosphere and first-rate acting โ and plenty of surprises. It takes the Mac.
Actor, musical
- Dennis Tamblyn and Matthew Holter as Bialystock and Bloom respectively in Arizona Onstageโs production of โThe Producersโ were a dream team. We loved every minute they were on stage, and they were on stage practically every minute.
- Monte Ralstin made Uncle Fester in Arizona Repโs โThe Addams Familyโ silly and vibrant and so much fun.
- Matthew Osvogโs Che in Arizona Repโs โEvitaโ was powerful and nuanced. He was hard to turn away from.
- Carlos Lopez was captivating and provided much of the lighter moments as Quixoteโs man servant, Sancho, in ATCโs โMan of La Mancha.โ
- There is no denying the riveting performance Philip Hernandez gave as Cervantes/Quixote in ATCโs โMan of La Mancha.โ He was deeply rooted in the characters, and the audience was deeply invested in him. He takes the Mac.
Actress, musical
- Liz Cracchioloโs Ulla, the sexpot who revs up both Max and Leoโs engines in Arizona Onstageโs โThe Producers,โ conveyed the sultriness and innocence of the character with complete honesty.
- Kelli Workman showed her impressive comedic chops โ and voice โ in Roadrunnerโs โTriumph of Love.โ
- Flamenco dancer Amelia Moore was Aldonzaโs alter ego in ATCโs โLa Mancha.โ She brought her stately grace to the role, allowing us to see another facet to the woman Quixote loves.
- The Mac goes to Michelle Dawson, who took on the role of Aldonza just before opening when the actress originally cast fell ill. She tightly embraced the character with heartbreaking grace.
Director, musical
- โThe Addams Familyโ isnโt a great musical, but Danny Gurwin, who directed the Arizona Repertory Theatre production, made it great fun. Gurwin also directed Arizona Repโs stellar production of โEvita.โ
- Annette Hillman had a big job directing the 27 cast members of Arizona Onstageโs โThe Producers.โ She was up to it, giving us a musical that was smooth and funny and a joy to see.
- Josรฉ โChachโ Snook fashioned a clever production of Roadrunnerโs โTriumph of Love.โ Thatโs doubly impressive when you consider he had a hefty role in the chamber musical.
- David Bennett gave new life to ATCโs โMan of La Mancha,โ taking creative chances that paid off in a big way. His direction revealed new layers in the play. It is among the best ATC has done. He takes the Mac.
Best musical
- Roadrunner Theatre Companyโs โTriumph of Love,โ was seductive, silly, and a giddy evening of theater.
- Arizona Rep staged a vivid production of โEvitaโ in the intimate Tornabene Theater on the UA campus.
- Johnny Cash fans were in heaven with Arizona Theatre Companyโs production of โRing of Fire: The Music of Johnny Cash.โ
- Arizona On Stage completely wowed with its rollicking production of โThe Producers.โ It was a huge undertaking and the cast made it look effortless.
- It is Arizona Theatre Companyโs profound production of โMan of La Manchaโ that takes the Mac. In a twist on the classic musical, the actors played instruments, sang and danced. This musical never felt dated; in fact, it eloquently spoke to today and the toxic, often dangerous, state of affairs in the world.