George Hanson curated the Tucson Desert Song Festivalโ€™s 2018 โ€œBernstein At 100.โ€ He is leaving the festival July 1 to take a larger role with Alexandria (Virginia) Symphony Orchestra.

Back in winter 2018, orchestras around the country were celebrating the 100th anniversary of Leonard Bernsteinโ€™s birth.

His daughter Jamie attended a few of them, but it was the Tucson celebration โ€” 30 events (concerts, symposiums and films) from a dozen Tucson arts organizations over 18 days โ€” that captured her attention and praise.

โ€œTucson, Arizona, is pulling off a marvel,โ€ she gushed on her familyโ€™s website.

The Bernstein festival was the third for festival coordinator George Hanson, who joined the song fest in 2015, months after leaving the Tucson Symphony Orchestra following a 19-year run as its music director.

In his nine-year tenure, which comes to a close on July 1, Hanson has helped the song festival increase its donor base and build the kind of financial footing founder Jack Forsythe had envisioned when he and co-founder Cecile Follansbee conceived the festival in 2010. Forsythe had wanted the festival to have enough assets and reserves to support three or four events.

โ€œI feel like I have done my best to help them have the financial stability that will enable them to make the financial decisions they need going forward,โ€ Hanson said on Monday, June 17, a day after song festival board president Jeannette Segel publicly announced Hanson was leaving.

Hanson, who has juggled his part-time song fest consulting role with a full-time job as executive director of the Alexandria (Virginia) Symphony Orchestra since 2019, is stepping down to take on an expanded role with the orchestra.

โ€œThe ASO needs 100% of my attention and we can no longer afford to split my attention,โ€ Hanson said. โ€œJack Forsythe made it very clear that my primary job with them was fundraising. The organization now, in my opinion, is in a better position than any nonprofit that any of us even knows in terms of performing arts.โ€

According to the song festivalโ€™s 2023 990 IRS tax form, TDSF had $723,575 in net assets to help its artistic partners โ€” Tucson Guitar Society, Tucson Symphony Orchestra, True Concord Voices & Orchestra, Arizona Opera, University of Arizona, Arizona Early Music Society, Arizona Friends of Chamber Music and Arizona Theatre Company among them โ€” pay the fees for top-tier vocalists.

Segel said the board will meet in early July to draft a job description for Hansonโ€™s replacement. The position, while still part-time, will likely involve marketing the festival statewide, as well as tapping into small-dollar donors.

โ€œWe donโ€™t have the bottom of the triangle filled in,โ€ Segel said, explaining that the festival would love to have more donors in the $1,000 to $2,500 range or lower to โ€œexpand our community support beyond just our major donors.โ€

Hanson said that he plans to return to the festival next April when renowned violinist Joshua Bell and his soprano wife Larisa Martinez perform the world premiere of a song cycle the festival co-commissioned with Arizona Friends of Chamber Music from composer John Corigliano.

Hanson, who has a long relationship with Bell, was instrumental in that commission.

Performers Ana Marรญa Martรญnez, soprano, Esa-Pekka Salonen, conductor, the Philharmonia Orchestra and UC Berkeley Chorus & Volti perform "Dreamers." The music is by Jimmy Bellido and lyrics by Nilo Cruz. The composer Jimmy Lopez Bellido and tenor Michael Fabiano are performing the world premiere of โ€œQuiet Poems,โ€ commissioned by the Tucson Desert Song Festival. The texts are from poems written by Nilo Cruz, with whom Lopez collaborated on the opera โ€œBel Cantoโ€ and an oratorio โ€œDreamers.โ€ Video Courtesy Jimmy Lopez Bellido.


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Contact reporter Cathalena E. Burch at cburch@tucson.com. On Twitter @Starburch