Martin Lawrence and Will Smith may have lost a step or two since they last worked together but β€œBad Boys: Ride or Die” doesn’t ignore the obvious.

In the fourth installment in the franchise, Lawrence’s character suffers a heart attack; Smith’s deals with relationship woes (and, yes, a slap).

Both, however, are determined to learn who framed their friend and tried to make him the focus of a drug investigation. Oddly enough, the new stance works.

The two rely on the help of associates, work their way around Miami and wind up in an abandoned theme park where a giant gator adds one more layer of entertainment. In a closing segment, β€œRide or Die” has all the excitement of the first β€œBad Boys” film. It doesn’t send any messages, but it does say there’s still life in the two actors.

Will Smith, left, and Martin Lawrence in "Bad Boys: Ride or Die."Β 

Lawrence, who looked like he was headed to a guest spot on β€œThe Neighborhood,” rallies here and fends off those ideas that he’s too old for this kind of work. After the heart attack, he thinks his invincible and demonstrates as much with his partner. Smith pulls back a bit but doesn’t disappear. β€œRide or Die” is a reset that lets him move past the Academy Awards slap (Lawrence helps).

The two banter about aging, lean in on family and don’t go down dark alleys that don’t produce results. β€œRide or Die” is quite entertaining in spots but don’t expect those star cameos to linger. If you miss them, they’re gone. (Thank you, Tiffany Haddish.)

Directed by Adil El Arbi and Bilall Fallah, the film has an old school look (Miami fits perfectly) and doesn’t press its actors to look more active than they are.

Smith tosses out a slam, Lawrence hits it back. They seem OK in action sequences, too.

While Smith’s wedding may be a bit much, it gives him someone to worry about, even when his son shows up.

Joe Pantoliano gets pretty good screen time considering his character is dead. And Eric Dane is just as good as any number of actors who turn up as a film’s heavy. Female characters don’t get as much attention but the script hints at the real hand feeding drug problems in the United States.

β€œRide or Die” isn’t an acting exercise like β€œKing Richard.” Smith, in fact, looks like he’s going through the motions in many scenes. But it’s his way back into the good graces of fans who wondered if that was his last good film. This suggests more lies under the surface and it’s time to give him another chance.

Obviously, β€œRide or Die” will do well at the box office. It’s as old-school as these buddy films get but it’s also highly entertaining.

When Lawrence and Smith are in the latter’s Porsche, anything is possible.

β€œBad Boys: Ride or Die” may not be the film of summer but it’s good until one of those turns up.


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Β Bruce Miller is editor of the Sioux City Journal.Β