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The best TV shows of 2023

2023 was the year we said goodbye to β€œThe Marvelous Mrs. Maisel,” β€œTed Lasso,” β€œSuccession” and β€œReservation Dogs.”

But it was also the year we said hello to a string of streaming series, work from international producers and β€œsecond” seasons that suggested everything is right in a world rocked by strikes.

Because networks weren’t getting new material from writers and actors, they looked outside of U.S. borders and found series in Europe, Asia and Canada. (The CW had so many north-of-the-border series the β€œC” could have been a hat tip to Canada.)

By the time the fall television season rolled around, viewers were stuck with a lot of celebrity game shows and talk shows featuring (gasp!) authors and musicians.

Read more from critic Bruce Miller:

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Movie review: 'Maestro' is a work of art

β€œMaestro” is a lot like composer Leonard Bernstein’s life – eclectic, disjointed, conflicted, loving.

More of a photo album than a biography, Bradley Cooper’s film hits key points without context. In the end, you should be able to come to some kind of conclusion about the relationship he shared with wife Felicia Montealegre (Carey Mulligan), an actress and early-day influencer.

The famed musician (as he preferred to call himself) is on a fast track to success when we first meet him. He’s called to pinch hit for a conductor who’s ill. That begins the journey that includes several Broadway shows, a successful series of CBS specials and acclaim as one of the country’s key advocates for classical music.

Read the full review here:

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DVD review:Β Meg Ryan's 'What Happens Later' is... not the best

In case you’re keeping score, it was only a month ago that β€œWhat Happens Later” was in theaters.

Now on DVD, it’s a prime example of β€œcut your losses.” In short, it’s dreadful.

In the new Hallmark-like rom-com, Meg Ryan and David Duchovny are former lovers who meet accidentally in a regional airport when a storm moves in. She’s headed to Boston; he’s bound for Austin. They have that β€œsay what?” kind of encounter, then spend the rest of what seems like eternity unloading about the past.

Read the full review from critic Bruce Miller:

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