Picasso

In the Arizona Theatre Companyโ€™s โ€œA Weekend With Pablo Picasso,โ€ staged in April, Herb Siguenza portrayed the painter. Management turmoil at the company is a thing of the past, says the chairman of ATCโ€™s board.

Two years ago, Arizona Theatre Company faced a $1 million deficit and there was deep concern for its survival.

This week, the company announced that an anonymous donor has given a $500,000 matching donation. If it is met, ATC will surpass its fundraising goal for the fiscal year.

โ€œEvery dollar donated to ATC is matched dollar for dollar as it comes in the door,โ€ said Matt Lehrman, interim managing director, of the donation.

โ€œIn the end, itโ€™s worth $1 million to ATC. As you can imagine, this is very important.โ€

This year, the fundraising goal was $2.4 million, said Lehrman.

โ€œThis has been a challenging year from a contributed revenue perspective,โ€ he said. โ€œBut I have no problem saying that we were confident we would achieve our objectives. The availability of our challenge grant helps considerably.โ€

About 40 percent of ATCโ€™s roughly $6.8 million budget relies on fundraising; earned revenue, which includes ticket sales and rent income, provides 60 percent.

โ€œLike any nonprofit arts organization, the mission is greater than the ticket sales,โ€ Lehrman said. โ€œFundraising is essential โ€ฆ to support the continuing operations. We had a good year, sold a lot of tickets, did some wonderful art. But before the fiscal year is over we have to hit the contributed revenue objective. (The donation) puts a lot of fuel in the ask.โ€

The campaign to raise the matching funds runs through the end of ATCโ€™s fiscal year, June 30.

The company did some low-key fundraising before the campaign was announced and has already raised about $300,000.

โ€œWe have almost two months left to raise the money, and we are well past the 50-yard line,โ€ says Cameron Artigue, the chairman of ATCโ€™s board, calling the challenge grant โ€œthe best thing to happen to ATC in years.โ€

If the goal is met, it will put the company in the most financially stable spot it has been in since the 2013 crisis.

โ€œItโ€™s about having enough cash on hand,โ€ says Lehrman. โ€œThis certainly does help restore vital working capital to the company.โ€

When ATCโ€™s financial crisis hit, management was in turmoil โ€” managing director Mark Cole left in the wake of the financial shortfall, and artistic director, David Ira Goldstein, who had stepped down, agreed to stay until a successor was named. He is still there.

Jessica Andrews, who was managing director for years and had retired, agreed to come back until the board could find a new executive director. In September, Lehrman, an arts consultant, replaced Andrews as interim director, though Andrews has an โ€œemeritusโ€ title and is working on the matching-funds campaign.

The board has not yet launched a search for either position, said Artique.

โ€œWe are totally comfortable and happy with Matt and David,โ€ said Artigue. โ€œAt some point weโ€™ll be doing national searches, but right now, weโ€™re happy.โ€

The turmoil in the organization is a thing of the past, he added.

โ€œATC went through a rough patch in 2013. Since then, weโ€™ve moved on and turned around. Things have been looking up in a major way.โ€


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Contact reporter Kathleen Allen at kallen@tucson.com or 573-4128. On Twitter: @kallenStar