Federal appellate judges said Tuesday they may not be able to give Navajo Nation residents more time to submit their ballots, even if they do suffer from poor mail service.
Judge Margaret McKeown said she understands that those living on the remote reservation have less time to mark and return their ballots to be sure they arrive by the current statutory deadline of 7 p.m. on Election Day. Challengers instead want the judges to say that any ballot from the reservation postmarked by then must be counted.
But McKeown said there is no evidence that ballot envelopes actually get a postmark despite an order to the U.S. Postal Service in a separate case out of New York to do that.
And then there are sorting questions.
Even if county recorders figure out which ballots come from reservation addresses, that does not mean they all come from Native Americans who are entitled to âprotected statusâ under federal voting laws. Challengers conceded there are non-native residents living there, too.
The 9th Circuit Court of Appeals judges gave no indication when they will rule â nor whether that will come in time for this yearâs election.
Attorney Steven Sandven, who represents the six Navajo tribal members who sued, argued that federal Judge Murray Snow got it wrong last month. Snow found that the burden on reservation residents in meeting the 7 p.m. Election Day deadline is no greater than that faced by residents of other rural areas of the state. As such, Snow said, the deadline does not violate the federal Voter Protection Act.
Sandven told the appellate judges the test is whether Native Americans, as a âprotected classâ under federal law, have the same opportunity to vote as all other non-Indians in the state, regardless of where they live. The record shows that is not the case, he said.
Find more Barrio Viejo homes at tucson.com/barrioviejo (Video by Gloria Knott, Arizona Daily Star)
He said this is more than just the fact that mail to and from rural areas takes longer, leaving reservation residents less time to consider the issues than non-Indian voters before they have to send their ballots back.
For example, Sandven said, there is one Election Day polling place for every 13.4 square miles in Scottsdale, versus one location on the Navajo Reservation for 306 miles.
Moreover, he said, there is no home delivery for most of the reservation, the post office is distant, and âmany Navajo Nation members have insufficient funds to travel to a post office.â
âThereâs no dispute as to the nature of those conditions and the effect that those conditions have in terms of making it more difficult for these voters to access the ballot,â he said.
But an attorney for Democratic Secretary of State Katie Hobbs told the appellate judges there are basic questions. For one thing, the lawsuit filed on behalf of six members of the Navajo Nation names only Hobbs as the defendant.
Hobbs has nothing to do with receiving or counting ballots, and canât tell the county recorders what to do, said her attorney, Roopali Desai. She said anyone seeking to change the deadline must also sue the recorders.
Desai also questioned whether the six plaintiffs have legal standing to sue in the first place because they never claimed any actual injury from the deadline.
âThere are no allegations in the complaint, nor did any of the plaintiffs testify at the injunction hearing about the fact that they intend to participate in the 2020 election, that they are planning to use themselves a vote-by-mail ballot,â she said. âAnd there is no evidence in the record that they have ever previously submitted a ballot that was rejected because they suffered from some sort of mail delay or the fact that their ballot was too late to be counted.â
Desai said Hobbs acknowledges the hardships faced by many members of the Navajo Nation including poverty, isolation, problems with traveling on the reservation and unreliable mail service.
âBut those harms are not traceable to the secretary or, more importantly, to the (ballot) receipt deadline,â she said.
Also, the lawsuit specifically seeks the extra time solely for those living on the Navajo Reservation. If the appellate judges were to grant that request, it likely would result in confusion, Desai said.
âWhat if somebody who is a member of the Pascua Yaqui tribal nation in Southern Arizona thought that the order ... intended to allow all Native Americans in Arizona to postmark their ballot as opposed to having it returned on the Election Day receipt deadline?â she asked. âWould it apply to one Native American voter versus another?â
Photos: Take a virtual tour of these Barrio Viejo homes in Tucson
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Welcome to the Barrio Viejo virtual home tour, benefitting the neighborhoodâs Lalo Guerrero elder apartments. More about that later, but letâs get started with the tour, which features homes built from the 1880s right up until last year.
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This recently restored 1911 adobe on South Meyer Avenue was the childhood home of Eduardo âLaloâ Guerrero, the father of Chicano music. He lived most of his adult life in Los Angeles, but a barrio complex of apartments for seniors was named in his honor in 2003. This Barrio Viejo virtual home tour benefits the neighborhoodâs Lalo Guerrero elder apartments. Find the fundraiser here.
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Owners Amanda and Luke Kippert replaced the homeâs roof and electrical system, installed air conditioning and made other major improvements in an Art Deco style. Danny Quihuis of Quihuis Architecture Co. helped with the project.
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Guerrero, in the two photos on the left, was born Christmas Eve 1916. He learned to play the guitar when he was nine and by 17 wrote and performed what would become one of his most famous songs, âCanciÃŗn Mexicana.â The 1936 musician comedy âThe Gay Desperadoâ was filmed on South Meyer Avenue in a part of the barrio later torn down for construction of the Convention Center.
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Pops of gold throughout the house give it glamour.
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Notice the fancy gold feet on the old bathtub?
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The pièce de rÊsistance of the Lalo house is the patio mural by Sal Sawaki of Wagon Burner Arts.
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âHot Pink Neighborâ by Ron Kenyon. He is a member of the Tucson Barrio Painters, a group of âplein airâ painters who have long appreciated the architecture of the cityâs barrios. Three years ago, as they noticed accelerating changes, they decided to make a more organized effort to capture the barrios on canvas.
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This house, built in the 1880s, had become a near-ruin by the time it was restored over three years in the early 1980s. Walls had to be rebuilt, and the original dirt, clay and manure roof removed. The cabinets were salvaged from the long-gone Damsky Cigars shop on East Congress Street.
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Many old barrio homes are built on the lot lines, leaving no front or side yards. But shady back patios are common.
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Notice the thickness of the adobes that case the windows. The ceilings are saguaro ribs.
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âFour doorsâ by Denyse Fenelon. âBarrio communities should be nurtured and appreciated for the architecture, lives and stories that have happened here. Itâs hard to save what you canât see so weâre attempting to preserve, in our way, the story of Tucson,â writes Fenelon, organizer of the Tucson Barrio Painters.
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Several dozen homes have been built in the barrio in the past 15 years, either on lots where houses had been demolished years before or on land that had always been vacant. This house was built in 2017 by a couple that already had family connections to the barrio.
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The living room and kitchen are part of an open-concept area designed for family gatherings.
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The kitchen takes advantage of the homeâs high ceilings. Thatâs another nod to the design of many of the barrioâs oldest buildings.
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Luis H. Ibarra of Saavy Inc. was the general contractor.
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A Tucson-made patio bench gives the home a sense of place. âBe Kindâ is the motto of the beloved Benâs Bells project.
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From the street, the home hews to a traditional Sonoran style. It is built on the lot lines and has a flat roof. But the patio shows that is a modern structure.
Watch now: Peek inside this Barrio Viejo home near downtown Tucson
UpdatedFind more Barrio Viejo homes at tucson.com/barrioviejo (Video by Gloria Knott, Arizona Daily Star)
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Barbara Mulleneaux recently painted this long-vacant building at West Kennedy Street and South Meyer Avenue.
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This pre-1888 front room opens to the kitchen and dining area, then a laundry with an adjacent bathroom, and finally the rear bedroom and a doorway to the central courtyard. Years ago this type of design was referred to as a shotgun because the rooms line up like the long barrel of a shotgun. Brick floors have replaced the original wood floors, but the variegated light & dark gypsum interior plaster is a longtime Old Pueblo tradition.
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This chandelier highlights the rough-sawn fir joists and old-growth planks a full 2 inches thick. Ceilings nearly 12 feet high kept hot air high in the summers when many Tucsonans slept outdoors on canvas cots or improvised hammocks.
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Till the 1990s this adobe room had two feet of dirt above its fir joists and packing crate planks. That was its original roof. One of the planks still visible today is addressed to "Geo. Martin", Arizona's second druggist.
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A clean, sleek bedroom for this old house.
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Large skylights with white domes provide soft, diffused light for this kitchen, which has no windows. The room originally opened to a long porch 7 feet in depth, but early 20th century additions closed off even that bit of light, so skylights were an adaptation.
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This iron fence recycles old gas and water pipe salvaged from a large complex of former apartments restored from 1998-2000. Some of the adobe walls had collapsed, and the property was condemned. Designer-builder David Carter's material costs for the fence totaled just under $19 for the caps on the posts. Welder Jim Fredd was the fabricator.
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JosÊ Trujillo built this market in the western part of the barrio in the 1920s. It eventually became apartments -- including home to motorcycle riding tenants who changed oil in the living room -- an addiction-counseling center, a bed-and-breakfast and a home. This painting is by Dina Jasensky.
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Joyce Nelson painted âLas 4 Esquinas,â one of the most iconic buildings in the barrio. Grocers or general shops were at three of the four corners at West Simpson Street and South Convent Avenue as far back as 1888. It isnât clear when the building was first called Las 4 Esquinas, but it carried that name by 1917 at the latest. It was operated by Don Wah and his wife, Fok Yut Ngan, both Chinese immigrants.
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This 900-square-foot adobe was built before 1920. This is how it looked until about two years ago.
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The new owners who restored the house say they were inspired by homes in San Miguel de Allende, Mexico.
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Many interior items, such as lights and this sofa, were second-hand finds.
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A kitchen right out of Mexico.
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The homeownersâ next project is to build a new sister structure on the same property. Follow their work on Instagram at weboughtanadobe.
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Russell Recchion painted this building at Convent and Simpson.
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The vigas (wood beams) in this house were salvaged from trees burned in the 2002 Mount Lemmon fire. The home was built 10 years ago. The painting shows Miguel Hidalgo y Costilla, the father of Mexican independence. It was salvaged nearly 40 years ago from the Los Reales landfill.
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Niches are common elements in older Mexican homes.
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The homeowners were walking in Guadalajara, Mexico, when they spotted workers installing a new roll-up garage door. The old iron gates were piled next to the street as trash. Shipped to Nogales by rail, they are now part of the back patio.
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This brick barrel vault was erected in three weeks without any formwork or other support. Every brick was set in place over thin air. Not till each row received its last brick was that row an arch -- a substantial structure.
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Norm Sherwood painted the long-unused Teatro Carmen at 348 S. Meyer. It was built in 1915 by Carmen Soto VÃĄsquez and was an elegant theater seating up to 1,400. Performers came from as far as Mexico City to appear in plays and operas. By about 1920 it became a movie theater and also hosted dances and boxing matches. It later became a garage and then the Black Elks Lodge.
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This home was designed by Sonya Sotinsky of FORS architecture + interiors as envisioned by its owners and built in 2015 on a vacant lot by Jamie Olding of Building Excellence, LLC.
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Mike Runde of The Runde Company built the Rumford fireplace, which is tall and shallow to reflect more heat. Homeowner Joe Patterson started the painting on the right, of John Street in Hartford, Conn., in about 1987. It was not quite finished, but his spouse, Kathleen McNaboe, framed it anyway. After they moved to the barrio, Joe removed the frame and completed his piece.
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Mike Tanzillo of Tanzillo and Son built cabinets and millwork work the house, which has a modern interior with steel counters and polished concrete floors.
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The kitchen is part of the light-filled great room.
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The office looks into a courtyard with a variety of fruiting trees.
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High ceilings help make the bedroom spacious
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This bathroom is tucked behind the bedroom.
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David Rojo of Rojo Construction LLC built the homeâs metal planter boxes. The outdoor tile art is by Carly Quinn of Carly Quinn Designs.
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The homeâs exterior celebrates the rich history of the barrio with hard troweled hand plaster and wood gates and shutters.
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âTwo Minutes to 5 Points,â by Terri Gay refers to the five-way intersection of 18th Street and Stone and Sixth avenues.
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Back in 2014, the Starâs Tom Beal chose saguaro ribs as one of 100 objects that define Tucson. Hereâs how he explained it: âSaguaro ribs were functional in early Tucson, where wood and metal were hard to come by before the railroad arrived in 1880. The ribs of the saguaro cactus, with an insulating layer of grass and native dirt piled atop them, served to fill in the spaces between roof beams hauled from nearby mountains. In Spanish, the beams are called âvigasâ and the lateral pieces âlatillas.â The ceilings of sleeping rooms were often covered with a sheet of muslin to keep the dirt from falling into your mouth as you snored away at night. Youâve no doubt seen the durable ribs on dead saguaros after the flesh falls away.â Ribs are still found in many of the barrioâs oldest homes.
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Integral color was mixed with gypsum and perlite to create this variegated plaster.
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Barrio painter Peter Farrowâs take on Las 4 Esquinas.
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This is one of four homes developed by Warren Michaels on the site of what had been a bakery. Rob Paulus was the architect and Dave Taggett the builder. The walls are Mikey Block, a lightweight but strong material with high thermal value.
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The âTucsonâ letters are from the old Greyhound bus station. The homeowners, Laura Walton and Dave Hamra, found them at Gather, A Vintage Market.
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La Fortuna, the original bakery on this South Meyer Avenue site, was started by the Figueroa family in the 1920s.
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Artist Poe Dismuke of SamPoe Gallery in Bisbee created the high-flying cicada.
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The patio is designed after traditional barrio gardens with pomegranate and figs trees, and a ramada of mesquite and ocotillo supporting gravevines. It also includes a modern water-harvesting system.
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Johanna Martinez honors the propertyâs history with the La Fortuna mural.
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âSimply Greenâ by Barbara Mulleneaux. The home is on South Meyer Avenue.
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This is one of nine condos in a complex built in the 1880s as a livery and bunkhouse for the Palace Hotel, which was seven blocks north in the heart of downtown. In those days, when visitors came to town on horses, it wouldnât do to keep animals right next to a nice hotel.
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The complexâs fireplaces werenât built to todayâs code standards, so they are decorative rather than functional.
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Designer Linda Robinson, winner of the Master of the Southwest award from Phoenix Home & Garden, advised the homeowner on the interiors.
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Many of the furnishings and lights are from Adobe House Antiques and Arte de la Vida. The homeâs custom window hardware is by Perry Luxe.
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Picture-rail moulding along the walls means thereâs no need to drill into the plastered adobe to hang art.
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Terri Gay painted this vacant house at West Cushing Street and El Paso. Most members of the Tucson Barrio Painters have social media accounts or web sites. Search individual names for more information about their art.
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The Lalo Guerrero apartments at West 18th Street and South Convent Avenue are on the site of the original Samuel Drachman Elementary School. It was built in 1901 as a four-room school but expanded over the years. Fire destroyed 80 percent of it in 1948. It was rebuilt but had fallen into disrepair by 1997 when a new school was constructed three blocks south.
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All but the central facade of the school was demolished just before its 100th anniversary. Federal and state grants and loans paid for construction of the 62 apartments now on the site. Pio Decimo and Barrio Viejo Elderly Housing Inc, non-profit corporations, operate the apartments on behalf of their residents.
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Eduardo âLaloâ Guerrero attended Drachman in the 1920s and also the dedication of the apartments in 2003. World famous as a singer, songwriter and guitarist, he died in 2005.





