WASHINGTON — In an afternoon's walk through the Smithsonian's National Museum of American History, objects around every corner invite one question: What could possibly be more American than this?

The museum explores "the complexity of our past" in accord with its mission statement. There's the enormous Star-Spangled Banner, Dorothy's ruby slippers from "The Wizard of Oz" and totems of achievement throughout.

There are also testaments to pain and cruelty, illustrated by shackles representing slavery and photos of Japanese Americans confined to detention camps in World War II.

President Donald Trump wants Smithsonian museums to mirror American pride, power and accomplishment without all the darkness, and threatened to hold back money if they don't.

This wall in the “Great Debate” section of a democracy exhibit is seen Aug. 26 at the National Museum of American History in Washington.

Genius and ugliness on display

On social media, Trump complained that at the Smithsonian museums, which are free to visit and get most of their money from the government, "everything discussed is how horrible our Country is, how bad Slavery was, and how unaccomplished the downtrodden have been — Nothing about Success, nothing about Brightness, nothing about the Future."

In fact, the history museum reflects bountiful successes — on battlefields, from the kitchens and factories of food pioneers, on the musical stage, in the movies or on other fronts of creativity and industriousness. The American Enterprise exhibit, for one, has a wall filled with stories of successful Americans.

On this wandering tour you can see navigational implements used by the pirate Blackbeard from his early 1700s raids on the Atlantic coast. You see the hat Abraham Lincoln wore to Ford's Theatre the night of his assassination, George Washington's ceremonial uniform, Warren Harding's red silk pajamas from the early 1900s, the first car to travel across the United States, and a $100,000 bill.

You can see the original light bulbs of the American genius Thomas Edison. Founding father Benjamin Franklin is presented as a gifted inventor and a slave owner who publicly denounced slavery yet never freed his own.

Protest signs from a selection of historic demonstrations are displayed Aug. 13 at the Smithsonian’s National Museum of American History in Washington, representing the causes of anti-war and civil rights activists, the tea party, farmers and other populist movements.

Those nuances and ambiguities may not be long for this world. Still on display at the history museum are artifacts and documents of American ingenuity, subjugation, generosity, racism, grit, dishonor, verve, playfulness, corruption, heroism and cultural appropriation.

In the "Great Debate" of an American democracy exhibition, a wall is emblazoned with large words including "Privilege" and "Slavery." The museum presents fulsome tributes to the contributions of immigrants and narratives about the racist landscape that many encountered.

Exhibits address "food justice," the exploitation of Filipinos after the U.S. annexed their land and the network of oppressive Native American boarding schools from which Jim Thorpe emerged and became one of the greatest athletes of all time.

A “Fight the Virus, Not the People” COVID-19 banner, which was carried by counter-protesters at an anti-Asian hate march in San Francisco in February 2020, is displayed Aug. 13 at the museum.

Hawaii's last sovereign before its annexation by the U..S. in the 1890s, Queen Lili'uokalani, is quoted on a banner as asking: "Is the AMERICAN REPUBLIC of STATES to DEGENERATE and become a COLONIZER?"

A ukulele on display was made about 1890 by a sugar laborer who worked on the kingdom's American plantations before a U.S.-backed coup overthrew the monarchy. Museum visitors are told the new instrument was held up by the monarchs as a symbol of anti-colonial independence.

"Ukuleles are both a product of U.S. imperialism and a potent symbol of Native Hawaiian resistance," says the accompanying text.

The White House is ordering a review of the Smithsonian museums to align content with President Donald Trump's interpretation of American history.

American spirit celebrated, too

At the Greek-godlike statue of George Washington, the text hints at his complexities and stops short of the total reverence that totalitarian leaders get.

Noting that "modern scholarship focuses on the fallible man rather than the marble hero," the text says Washington's image "is still used for inspiration, patriotism and commercial gain" and "he continues to hold a place for many as a symbolic 'father' of the country."

Conservators are the museum are restoring the gunboat Philadelphia, part of a small fleet that engaged the British navy at the Battle of Valcour Island in Lake Champlain in 1776, delaying Britain's effort to cut off the New England colonies and buying time for the Continental Army to prepare for its decisive victory at Saratoga.

The commander of the gunboats in the Valcour battle later became America's greatest traitor, Benedict Arnold. The British damaged the Philadelphia so badly, it sank an hour after the battle, lying underwater for 160 years. It's being restored for next year's celebrations of America's 250th year.

"The Philadelphia is a symbol of how citizens of a newly formed nation came together, despite overwhelming odds against their success," said Jennifer Jones, the project's director. "This boat's fragile condition is symbolic of our democracy; it requires the nation's attention and vigilance to preserve it for future generations."

A new sign is displayed Aug. 26 at the presidential impeachment exhibit at the museum in Washington, describing the counts against President Donald Trump in his second impeachment trial.

It’s not telling you what to think, but what to think about

Democracy's fragility is considered in a section about the limits of presidential power. That's where references to Trump's two impeachments were removed in July for updating, and were restored in recent days.

"On December 18, 2019, the House impeached Donald Trump for abuse of power and obstruction of Congress," one label now states. "On January 13, 2021, Donald Trump became the first president to be impeached twice," another says. "The charge was incitement of insurrection based on his challenge of the 2020 election results and on his speech" on Jan. 6, 2021, that precipitated his supporters' attack on the U.S. Capitol. His Senate acquittals are duly noted.

It's a just-the-facts take on a matter that drove the country so deeply apart.

An updated display at the museum, seen Aug. 26, traces the history of presidential impeachments.

The history museum doesn't offer answers for such predicaments. Instead, it asks questions throughout its halls on the fundamentals of Americanism.

“How should Americans remember their Revolution and the founding of the nation?”

“What does patriotism look like?”

“How diverse should the citizenry be?”

“Do we need to share a common national story?”


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