The Tucson Symphony Orchestra on Friday night
capped two weeks of special concerts for Tucson area school
children.
By Conductor George
Hanson's estimates, more than 20,000 children from
elementary to high school saw the TSO in special concerts
throughout the past two weeks.
The series culminated Friday
night with a concert featuring some of the orchestra's young artist
competition winners and participants of the orchestra's Young
Composers Project.
If you've never seen this
concert over the years, you have denied yourself one of the most
pleasurable events of the TSO's season, a chance to see
extraordinarily talented young musicians fearlessly tackle
challenging repertoire before an audience of family, friends, peers
and die-hard symphony fans. The cost of admission: Free.
The evening included two new
works — "Viaggio" (Journey) by Miles Exploratory Learning Center
eighth-grader Ben Nead and "Kingdom of the Sacred Temple" by Desert
View High School freshman Alexander Garcia — and solo turns by four
musicians: cellist Sara Page, a University High sophomore;
11-year-old violinist Carissa Powe; University of Arizona alto
saxopone major Jonathan Wintringham; and Arizona State University
piano major Ilia Ulianitsky.
To say that these musicians
were top-notch is not giving them nearly enough credit. They were
fabulous, each possessing a confidence and grace that comes from
somewhere beyond experience. Each took on challenging
repertoire:
• Page elicited a singular, muscular voice from her cello on
David Popper's Hungarian Rhapsody. She was
confident, graceful and fully at one with the music, producing a
clarion tone that never fell victim to the Music Hall's dry
acoustics. Throughout her one-movement performance her cello rang
out above the orchestra.
Keep reading with a digital access subscription.
• There is one word to describe Ulianitsky, who performed
Beethoven's invigorating Fifth Piano
Concerto in E-flat Major: exhilerating. His fingers danced
over the keyboards with precision and power, producing a fluid,
taut tone. In him, you could imagine a future concert pianist whose
name will grace world-renown marquees.
• Powe was the youngest person on the stage, and Hanson
introduced her by saying that she had always dreamed of playing the
TSO's Celebrate the Future concert. She performed Jean
Batiste Accolay's
tutorial Concerto No. 1 in A minor with a poise
that quietly, but strongly insisted that Powe deserved to be on
that stage. Dressed in a pink gown, she stood out among the
black-clad pros, but once she started playing, you couldn't help
but feel she was only a few years away from being worthy of sitting
among them. Powe was alternately controlled and carefree, summoning
a warm, rich tone from her violin.
• Wintringham's bio in the concert program lists a slew of
awards, kudos and professional appearances; he made his pro debut
when he was 17. Moments into Tomasi's Concerto for Alto
Saxophone and Orchestra, it's easy to understand the
accolades: this UA standout has the chops. He delivers a lovely
sound that is graceful and exciting. You couldn't help but lean
forward in your seat and give this guy your full attention
throughout his performance.
Check out Friday's
The
Arts section for more about the Young Composers Project. The
TSO will hold reading
sessions at 7 p.m. Friday and Saturday at the Tucson Symphony
Center to run through the new compositions by the project's dozen
or more participants.