True Concordโ€™s new Christmas album comes out Friday, Nov. 1.

Classical groups donโ€™t usually have CD release concerts, but when True Concord Voices and Orchestra performs its annual holiday concert Dec. 12-15, weโ€™re going to think of it as a CD release event.

On Friday, Nov. 1, the choir will release โ€œChristmas With True Concord: Carols in the American Voice,โ€ a collection of international Christmas carols from England, France, Germany, Poland and Ireland that have new or rarely rarely performed American settings.

A couple of those songs were arranged by Green Valley composer Gerald Near including his arrangement of the traditional Welsh carol โ€œCradle Songโ€ and his decidedly celebratory vision for the English carol โ€œOn Christmas Night (The Sussex Carol)โ€ that opens the album.

True Concord knows how to do Christmas. With lush exquisite voices and sublime soulfully American interpretations, they take you beyond the cliche of โ€œJingle Bellsโ€ and โ€œO Holy Nightโ€ to a singular somberly opening Mack Wilbergโ€™s arrangement of โ€œAway in a Manger.โ€ The womenโ€™s voices, sans vibrato, deliciously replicate the sound of a childrenโ€™s choir as the chorus rises above the gently played oboe and Guy Whatleyโ€™s organ.

Detroitโ€™s Stacey V. Gibbs, celebrated for his work with traditional spirituals and hymns, adds a festive toe-tap to the traditional black spiritual โ€œGo Tell It On the Mountain,โ€ while Wilberg, director of the prestigious Mormon Tabernacle Choir, ditches the Scottish pipes and retains the harp (Christina Vivona) on the traditional Irish song โ€œWexford Carol.โ€

Under the baton of True Concord Music Director and founder Eric Holtan, the choir soars on the world premiere of Glen Rudolphโ€™s โ€œOne Gift,โ€ a glorious musical setting to text by American hymn writer Thomas Troeger, and a stunningly beautiful a cappella arrangement of โ€œSilent Nightโ€ by the late Stephen Paulus that spotlights a pair of soloists โ€” the pretty spectacular soprano Cait Frizzell and equally terrific tenor Patrick Michael Muehleise.

Fourteen of the albumโ€™s 17 songs are world-premiere recordings including Howard Helveyโ€™s lush โ€œLove Came Down at Christmasโ€ with Sara Frakerโ€™s oboe adding lovely harmonies to Alexander Tensterโ€™s piano; and the bluesy โ€œJoseph Dearest Joseph Mine,โ€ which opens like a Broadway torch song with Frizzel in the solo lead backlit by Christine Vivonaโ€™s harp and delicious male harmonies.

โ€œChristmas with True Concordโ€ is a follow-up to True Concordโ€™s 2015 Grammy-nominated โ€œFar In the Heavens: Choral Music of Stephen Paulus,โ€ also released on the classical music giant Reference Recordings whose roster includes Utah Symphony, Pittsburgh Symphony Orchestra, True Concord and the PaTRAM (Patriarch Tikhon Russian American Music Institute) from California.

This is the first of five recordings True Concord will make under the $500,000 Dorothy Dyer Vanek Fund for Excellence, which supports the choirโ€™s commissioning and recording projects.

True Concord premiered the first of the fundโ€™s commissions last year, a work by Near based on the poetry of Emily Dickinson. The second commission, Jocelyn Hagenโ€™s โ€œThe Notebooks of Leonardo da Vinciโ€ for choir, orchestra and film, anchors True Concordโ€™s โ€œMozart & da Vinciโ€ concert Nov. 22-24. True Concord was among several ensembles that co-commissioned the piece, which was premiered in Minnesota โ€” Hagenโ€™s hometown โ€” in March.

Holtan said True Concord will release the second recording in 2020.


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Contact reporter Cathalena E. Burch at cburch@tucson.com or 573-4642. On Twitter @Starburch