Is it a sign of aging or do actors over 70 always play characters who are living with regrets?

That’s the message we get from β€œSummer Camp,” another β€œBook Club”-like comedy from Diane Keaton.

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Here, she’s one of three friends since grade school who hold a reunion at the summer camp they held dear. The three haven’t been as close as they once were, but this gathering could change all that. Or not.

Diane Keaton, Kathy Bates and Alfre Woodard play friends who reunite at camp in "Summer Camp."Β 

Kathy Bates plays an over-the-top self-help author who wheels up in a bus made for rock stars; Alfre Woodard is a medical worker who regrets not getting a doctorate. Together, the three zipline, tease the boys they once liked and talk about what might have been.

Considering β€œTheater Camp” and β€œWet Hot American Summer” mined so much from this setting, β€œSummer Camp” could have been so much more.

Even Beverly D’Angelo, who was one of the camp’s mean girls, doesn’t get the lines or moments that could amount to anything. Only Josh Peck (as one of the camp employees) makes you care about him and that’s because he calls out one of the trio as she tries to control a situation.

Keaton, oddly enough, blends into the background, never quite doing her Keaton thing (outside of costuming); Woodard seems like she’s in a much darker film. And Eugene Levy as a Harry Hamlin-level hunk? Yeah, you’ll gulp, too.

Only Bates jumps in headfirst and that could be because she’s given a brassy red wig and that oh-so-noticeable bus.

Directed by Castille Landon, β€œSummer Camp” needs some of the zaniness that even β€œPoms” (an earlier, equally weak Keaton film) had.

Josh Peck plays a put-upon camp employee in "Summer Camp."

Thanks to Keaton, these aging stars films (β€œ80 for Brady,” β€œMack & Rita”) have become a genre that didn’t need to be. Instead of showing how vibrant actors of a certain age are, they all lean into regrets and a last-ditch effort to seize what might have been. They’re high predictable and hardly worth the talent they attract.

Thus, β€œSummer Camp.”

Keaton, who’s also a producer, could do herself and her friends a service by demanding something a little more complex than a paint-by-numbers comedy. β€œHarry and Tonto” gave Art Carney a boost; β€œGrumpy Old Men” lit a candle under Jack Lemmon and Walter Matthau.

This, however, is merely designed to give the actors work without harming their images or taxing their abilities.

Somehow, you want to think those retirement years can bring much, much more.

Summer Camp tells the story of Nora (Keaton), Ginny (Bates), and Mary (Woodard), who have been best friends since being inseparable at summer camp. As the years have passed, they’ve seen each other less and less, so when the chance to reunite for a summer camp reunion arises, they all take it, some begrudgingly and others excitedly. Each of their lives might not be where they’d imagined, but one thing is for sure β€” Nora, Ginny, and Mary need each other, and summer camp reminds them why.


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Β Bruce Miller is editor of the Sioux City Journal.Β