You could almost make out the gasps from the audience nearly filling Centennial Hall when the first N-word dropped from the stage.
It’s part of the vernacular in Aaron Sorkin’s “To Kill A Mockingbird,” which Broadway In Tucson opened on Tuesday, but that didn’t make it any less shocking to the system filtered through our socially conscious 2023 ears.
Of course, the N-word was essential to the telling of Harper Lee’s 1962 novel of a Black man wrongly accused of a crime that could net him a death sentence in the Great Depression era Deep South. Those were the days when Black people were not only relegated to the back of the bus and their own drinking fountains but American justice was rarely on their side.
In too many cases to count, a Black man accused of a serious crime often met his fate at the end of a rope.
Even with that historical context, you sensed the discomfort from the Tucson audience Tuesday night whenever the racist father Bob Ewell (Joey Collins) uttered the term with hate enunciating every syllable. It felt like a dagger in our collective conscious.
Sorkin adapted Lee’s Pulitzer Prize-winning novel in 2018, years before George Floyd and Breonna Taylor and the half-dozen other high-profile killings of African-Americans in police custody that filled the headlines and led to protests worldwide.
And yet, Sorkin channeled 2020 in a way that seems almost prescient. The same issues that played out in the courtroom of the fictional town of Macomb are playing out today, issues of equality in the legal system, fairness and the Constitutional guarantee that “all men are created equal.”
There are glimmers of hope in “Mockingbird”; the judge (David Mantis) believes the South is due for its epiphany and appoints Atticus Finch (Richard Thomas) — a lawyer with unassailable virtues and a deeply unshakeable conviction that at the core, all people are good — to defend Tom Robinson (Yaegel T. Welch). Finch, whose children Scout (Melanie Moore) and Jem (Jacob Mark) wish that he would share their sense of outrage at the racist behavior all around them, uses humor to quiet the haters.
But humor can only go so far when a group of men in white hoods surround the jail where Robinson is being held and tell Finch they are going to mete out their own justice on the tail end of a pickup truck. Scout, in a remarkable performance by Moore, delivers one of the play’s biggest anti-racism messages when she recognizes the voice of one of the hooded men and calls him out by name.
In Lee’s novel, Scout is the narrator and central character; in the play, Sorkin assigns that role to Atticus, allowing us to see his evolution from dignified defender of “there’s good in all” to the stark realization that his neighbors are evil to the core.

“To Kill A Mockingbird” runs through Sunday, Jan. 22, with Broadway in Tucson.
Thomas delivers a powerful performance in the courtroom, where he challenges the veracity of the accuser’s story, and on the front porch, where he doles out fatherly advice to his children who call him by his first name. Thomas’s witty asides providing snippets of humor to break up the play’s darkness gave way to shatteringly emotional statements on the injustices of racism.
Welch gives Tom Robinson humanity and strength as he defies Atticus’s advice and shouts out that he was helping his accuser because he felt sorry for her. Arianna Gayle Stucki made us feel alternately sorry for Mayella Ewell as the victim who turned victimizer on the stand.
Steven Lee Johnson delivered one of the most poignant performances as Dill Harris, the mysterious and affable neighbor boy who has more wisdom and humanity than most of the adults in town.
“To Kill A Mockingbird” continues through Sunday, Jan. 22, at Centennial Hall, 1020 E. University Blvd., on the University of Arizona campus. For showtimes and tickets, visit broadwayintucson.com.
Broadway In Tucson is bringing Aaron Sorkin's 'To Kill A Mockingbird" to Centennial Hall next week. The show, starring Richard Thomas, opens Tuesday, Jan. 17.
Photos: UA campus and Tucson in 1965
1965 in Tucson
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The Western movie classic "El Dorado," starring John Wayne, was filmed at Old Tucson in 1965. Courtesy of Old Tucson Studios.
1965 in Tucson
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The adobe church at Old Tucson movie studio under construction on September 28, 1965.
1965 in Tucson
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Finalists for the 1965 University of Arizona Homecoming Queen. The theme was "74 Years with the Right Women." Emily Sult, seated at right, was elected Queen.
1965 in Tucson
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The Fox Theatre on Congress Street in downtown Tucson in June, 1965, prior to a massive urban redevelopment project that changed the area forever. Tucson Citizen
1965 in Tucson
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Barry Goldwater, 1964 GOP presidential candidate, addresses a crowd of about 1,400 Tucson Republicans at a Lincoln Day dinner at the Ramada Inn on Feb. 11, 1965. He asked them to work toward party unity. Jon Kamman / Tucson Citizen
1965 in Tucson
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The first four-mile stretch of the Nogales Interstate Highway opened to local traffic in March, 1965. This view of the new expressway is from Irvington Road north toward downtown Tucson. "A" Mountain is on the left. This first phase of the interstate, costing $3 million, was from I-10 to Valencia Road. Bruce Hopkins / Tucson Citizen
1965 in Tucson
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The $1 million in bond funds recommended for street lighting would put lights like these on East Speedway in March, 1965, on about 20 miles more of busy arterial streets in Tucson. Tucson Citizen
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An aerial of University of Arizona Band performing during a football game at Arizona Stadium in 1965. Tucson Citizen
1965 in Tucson
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An Arizona Air National Guard F-100 fighter takes off from Tucson International Airport in June, 1965. Art Grasberger / Tucson Citizen
1965 in Tucson
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Mrs. Albert Lanham of Evanston, Ill, takes a picture of her son Bruce and his wife during University of Arizona commencement on May 26, 1965. Photo by Mark Godfrey / Tucson Citizen
1965 in Tucson
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Mrs. William Conley of Tucson gives her daughter Diana a big hug at University of Arizona commencement on May 26, 1965. Photo by Mark Godfrey / Tucson Citizen
1965 in Tucson
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The University of Arizona band waits to play during commencement at Arizona Stadium on May 26, 1965. Photo by Mark Godfrey / Tucson Citizen
1965 in Tucson
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University of Arizona students file into Arizona Stadium for the 70th commencement on May 26, 1965. The Tucson Citizen said 2,710 students received degrees. Photo by Mark Godfrey / Tucson Citizen
1965 in Tucson
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The University of Arizona Pompon girls at Arizona Stadium in October, 1965. Bruce Hopkins / Tucson Citizen
1965 in Tucson
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University of Arizona 1965 Homecoming Parade float. Homecoming theme: "Seventy-four years with the right women." Tucson Citizen
1965 in Tucson
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University of Arizona 1965 Homecoming Parade float. Homecoming theme: "Seventy-four years with the right women." Tucson Citizen
1965 in Tucson
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University of Arizona 1965 Homecoming Parade float. Homecoming theme: "Seventy-four years with the right women." Tucson Citizen
1965 in Tucson
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University of Arizona 1965 Homecoming Parade float. Homecoming theme: "Seventy-four years with the right women." Tucson Citizen
1965 in Tucson
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University of Arizona 1965 Homecoming Parade float. Homecoming theme: "Seventy-four years with the right women." Tucson Citizen
1965 in Tucson
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The message on this float, "Arizona's Finest Woman," in the 1965 UA Homecoming parade is anyone's guess.
1965 in Tucson
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"74 Years of Sugar, Spice N' Everything Nice," float in the 1965 UA Homecoming Parade.
1965 in Tucson
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Pulitzer Prize winning poet and playwright Archibald MacLeish spent several days at the University of Arizona in November 1965. He was a guest of the Ruth Stephan Poetry Center. Dan Tortorell / Tucson Citizen
1965 in Tucson
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A model of the proposed new Pima County fairgrounds in March, 1965. It was moved from 6th Ave and Irvington to Houghton and I-10.
1965 in Tucson
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Charles H. Schmid Jr., "The Pied Piper of Tucson," during a court appearance in Tucson in 1965. Schmid murdered three girls, one just to know what it felt like to kill someone. Arizona Daily Star
1965 in Tucson
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Snow in El Encanto Estates, Tucson, on Feb. 10. 1965.
1965 in Tucson
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A 1965 view of the proposed urban renewal area that included La Placita Plaza, Tucson Convention Center and Symphony Hall, Pima County Superior Court, and city, county and federal administration buildings. The view is from the then Tucson Federal Savings Tower. Art Grasberger / Tucson Citizen
1965 in Tucson
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Nearly 1,000 University of Arizona students rioted on May 6, 1965, after male students demanded "panties" at women's dorms. Rocks and bottles were thrown. Sixteen students were arrested. Jon Kamman / Tucson Citizen
1965 in Tucson
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Nearly 1,000 University of Arizona students rioted on May 6, 1965, after male students demanded "panties" at women's dorms. Rocks and bottles were thrown. Sixteen students were arrested. Jon Kamman / Tucson Citizen
1965 in Tucson
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Nearly 1,000 University of Arizona students rioted on May 6, 1965, after male students demanded "panties" at women's dorms. Rocks and bottles were thrown. Sixteen students were arrested. Jon Kamman / Tucson Citizen
1965 in Tucson
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Nearly 1,000 University of Arizona students rioted on May 6, 1965, after male students demanded "panties" at women's dorms. Rocks and bottles were thrown. Sixteen students were arrested. Jon Kamman / Tucson Citizen
1965 in Tucson
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Sargent Shriver speaks at the National Conference on Poverty in the Southwest in Tucson on Jan. 25, 1965. Shriver was the founder of the Peace Corps and a force behind Pres. Johnson's "War on Poverty." Dan Tortorell / Tucson Citizen
1965 in Tucson
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The University of Arizona College of Architecture building opened in 1965, Tucson Citizen
1965 in Tucson
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The University of Arizona College of Architecture building opened in 1965, Tucson Citizen
1965 in Tucson
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The University of Arizona College of Architecture building opened in 1965, Tucson Citizen