During those early days of the pandemic when clubs, bars and concert venues shuttered and musicians pivoted to virtual performances on YouTube or Zoom from their living rooms, Tom Walbank checked a biggie off his bucket list.
He reached out to some of the worldβs best blues players β folks like Joe Filisko, a leading pre-World War II harp player; the harmonica virtuoso Phil Wiggins; and Tucsonβs dynamic young phenom Roman Barten-Sherman β and invited them to be part of βHootmatic Blues.β The 22-track recording, available as a digital download, was a way for these musicians to make some money at a time when they needed it most.
βAt the time, it was up in the air whether we all had jobs or not,β Walbank said. βI got together a bunch of guitarists, harmonica players, piano players, and did an album of acoustic instrumental music.β
That project opened the door the following year to record βLow Blows for Ida,β to benefit victims of Hurricane Ida in Louisiana. The 47-song album included tracks from Charlie Musselwhite, Wiggins, Aki Kumar, Will Wilde, Steve Barker, Ol Shady Pete, Kim Wilson, Rick Estrin, Carlos del Junco, Terry βHarmonicaβ Bean and dozens of the worldβs leading blues players.

Tucson bluesman Tom Walbank, seen here playing last summerβs Summerhaven music series on Mount Lemmon, created the blues harmonica compilation album βHarp Love for LAβ to benefit victims of Januaryβs devastating Los Angeles wildfires.
βI did a lot of the heavy lifting with those albums. In other words, getting in touch with top musicians in the blues through the agencies, through their managers, through various ways,β Walbank explained. βThere was 50 players on that album, and that raised some decent cash for Hurricane Ida.β
So when the wildfires engulfed Los Angeles in January, Walbank was back on the phone reaching out to some of those same people.
βI was just seeing it all unfold, and the usual feeling of helplessness came about. You know, I canβt give up my life to go and help people in Los Angeles, but what can I do?β he thought. βIβve already got a bunch of people. I know how to do it.β
The result was βHarp Love for LA,β an ambitious compilation that includes contributions from some of the worldβs finest harmonica bluesmen.

Tucson bluesman Tom Walbank recruited fellow blues harmonica players from around the world to be part of Harp Love for LA,β with proceeds benefiting victims of the Los Angeles wildfires.
βI got in touch with a lot of players from the last album and said, βHey, you mind if I recycle your tracks and put it on this album?ββ he said. βAnd I also got in touch with people who hadnβt been on the last album ... people from Moscow, Catalonia, Spain, Italy, France, and a lot of people from the States.β
The newcomers recorded themselves and sent the tracks to Walbank, who mastered the album.
βYouβd think that it would get boring if youβve got 41 tracks of harmonica music, but itβs absolutely staggering the variety and just the expertise involved in all of these tracks,β he said. βThese are master players. And it was very exciting for me to get certain players on the same album. You know, a lot of the players on this album have been a huge inspiration to me when I was a young man and even now.β
βHarp Loveβ includes a track from English folk musician Rory McLeod, a legend on the English folk scene whose repertoire spans folk, blues and Mexican folk songs that McLeod picked up when he lived in Texas in the mid-1970s.
Shane Sager, who plays harmonica in Brit rocker Stingβs band, added two tracks, while Kumar, the India-born bluesman played Tucsonβs House Rockinβ Blues Review, contributed βUncloudy Day,β the same song he offered for βLow Blows for Ida.β The album also showcases some younger players, including Italian blues player Marco Pandolfi, Adam Sikora from Poland and Nic Clark from Denver.
Walbank said it was an easy sell getting his peers to participate.
βThis countryβs given them the whole life of the blues,β said the England-born bluesman, who has spent more than half his adult life in Tucson. βYou know, people talk about jazz being Americaβs classical music. Donβt forget about the blues. Itβs like, no blues, no rock and roll, no modern music scene. Thatβs where it all comes from. These are all blues players, harmonica players, from Germany, Italy, Moscow, but the the American blues scene and 100 years of blues recordings has given them the passion.β
Visit tomwalbank.bandcamp.com to listen.