The best critic on film was George Sanders in β€œAll About Eve.”

Droll, conniving and always witty, he helped stir the pot and put the wheels of drama in motion.

Since then, films have tried to capture the job (believe me, it’s not that complex) and failed. β€œAmerica’s Sweethearts,” a Billy Crystal venture with Julia Roberts tried but fell flat.

Gemma Arterton and Ian McKellen star in "The Critic."Β 

Now, there’s β€œThe Critic,” a seemingly juicy look at a 1930s newspaper critic starring Ian McKellen.

McKellen is perfect in the role, particularly when he’s sitting at his typewriter trying to control the fortunes of London’s stages.

But when the drama veers into murder it wanes. Largely, that’s because McKellen’s character, a crusty tabloid journalist whose fortunes could be affected when a new owner comes in, isn’t kept front and center.

Instead, he’s an accomplice once the plot thickens and Gemma Arterton takes over. She’s an actress who hasn’t exactly wowed the ink-stained wretches. But, if she helps McKellen’s character, he’ll maybe even praise her.

Directed by Anand Tucker and written by Patrick Marber (who’s usually good at these things), β€œThe Critic” becomes a thriller that isn’t exactly as billed. A relationship fuels plenty of backstage chatter, but the critic is so crippled by his own shortcomings it becomes a battle of wills and, ultimately, a story that isn’t about the titular character.

Alfred Enoch, left, plays assistant to Ian McKellen in "The Critic."Β 

When it was originally announced, β€œThe Critic” was called β€œCurtain Call” and that was a more fitting title. β€œThe Critic” implies more than it offers.

When McKellen is crafting his poison pen notes to actors, the film crackles. He would be so good in a film worthy of the title. But when he gets involved in an odd relationship drama (that leads to death), the film betrays its star.

Mark Strong, Lesley Manville and Alfred Enoch figure in, too, but the desire to squeeze this into β€œAll About Eve’s” corner is too obvious.

When Enoch’s character looks at McKellen’s, it isn’t just telling. It’s a spoiler alert.

Enjoy the first minutes of β€œThe Critic” (if you must) but know there’s more skullduggery afoot than this even hints at including.


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Β Bruce Miller is editor of the Sioux City Journal.Β