Glen Powell could be the next Brad Pitt.

In addition to producing other films (like last week’s β€œThe Blue Angels”), he’s shepherding content for himself.

β€œHit Man,” his latest, is like a resume of characters he can assume and, yes, they’re good.

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Powell plays Gary, a meek philosophy professor who moonlights as a hit man in sting operations. Each time out, he changes up his look, his demeanor, his approach and, darn, if they don’t work.

Glen Powell assumes many identities in "Hit Man."

Directed by Richard Linklater, β€œHit Man” lets Powell dabble in a variety of film genres before it settles into an edgy rom-com. He meets a woman (Adria Arjona) who would like him to off her husband.

The persona she encounters – Ron – is a real lothario, a sexy version of Gary who can instill confidence no matter who’s on the other side of the hit parade. For Gary, it’s an opportunity to up his game after a divorce that leaves him alone, tending a plant collection and two cats. The hit man guise gives him an opportunity to figure out where he fits.

Because he’s a philosophy nerd, the film also gives him a chance to test what he preaches.

For the folks employing him, Gary’s transformation is impressive. Playing a real tough guy at one point, a cop refers to him as β€œDaniel Day,” a nod to the chameleonic actor. That ups the ante and gets the game moving.

Linklater doesn’t waste time with the characters but does lean into the romance and the ethics of falling for a client.

Based loosely on a real person, β€œHit Man” shows the work that goes into creating a new identity. It’s fascinating actor play (another character calls him the β€œCaucasian Idris”) and a way for Powell to justify the relationship that unfolds. Could he kill for love? Should he indulge the woman’s fantasy?

From left, Adria Arjona as Madison, director & co-writer Richard Linkletter, co-writer Glen Powell as Gary Johnson, and director of photography Shane F. Kelly, the team behind "Hit Man."

There are dozens of films that teach lessons when characters mask their real selves. Some, like β€œTootsie,” offer big results. Others just use it to spice up a given.

Powell, though, is the real deal – an actor who’s able to serve up what’s ordered.

Arjona partners him nicely, making us wonder if she’s really interested in offing her husband or turning the tables on the ever-changing Gary.

Until we learn the truth, β€œHit Man” serves as the most fascinating movie of summer. It should have had a long run in theaters (where the action really pops). Instead, it’s on Netflix, able to be enjoyed time and time again.


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Β Bruce Miller is editor of the Sioux City Journal.Β