โ€œFancy Danceโ€ confirms Lily Gladstoneโ€™s success in โ€œKillers of the Flower Moonโ€ wasnโ€™t a fluke.

Listen now and subscribe: Apple Podcasts | Google Podcasts | Spotify | RSS Feed | SoundStack

Here, she plays an outwardly tough but inwardly vulnerable Native woman who just wants to learn what happened to her sister. Expected to dance with her daughter, Roki (Isabel Deroy-Olson) at a powwow, the woman hasnโ€™t had contact with Jax (Gladstone) for two weeks.

Isabel DeRoy-Olson, left, and Lily Gladstone go on the road in "Fancy Dance," looking for a missing relative.ย 

That suggests foul play but authorities are slow to investigate. Jax, as a result, decides to take matters into her own hands and begin a search. In the process, she poses questions about foster parenting, reservation apathy and family ties.

Co-written and directed by Erica Tremblay, โ€œFancy Danceโ€ isnโ€™t a political statement as much as itโ€™s a regrettable fact of life. It nudges viewers to understand what is unfolding and, hopefully, realize why people like Jax mistrust those in authority. This doesnโ€™t use big hammers; it chips away, first at the heart.

Thatโ€™s where Gladstone is so valuable. Behind those monotone inquiries, thereโ€™s a concerned โ€“ often frightened โ€“ woman who just wants the truth. Jax is a character who hasnโ€™t been present in many films and could find a place in others. With her, Gladstone is creating a niche โ€“ if she wants it.

With Deroy-Olson, sheโ€™s a loving auntie, encouraging the girlโ€™s powwow dreams and helping bridge the relationship gaps that threaten to crack her life.

When authorities suggest she needs to stay with non-Native grandparents, Roki rebels and โ€œFancy Danceโ€ becomes a road trip of a different nature.

Tremblay doesnโ€™t dress this up with jaw-dropping cinematography or long, moody sections of reflection but she does let Gladstone take the lead in establishing a timetable.

How she goes from tough sister to compassionate relative is part of the filmโ€™s charm. Gladstone plays pauses effortlessly, giving โ€œFancy Danceโ€ an opportunity to breathe when it justs wants to inhale.

Gladstone and Deroy-Olson are great partners, finding ways to get information others wonโ€™t divulge. They do nicely with the relatives, too, and suggest thereโ€™s a family relationship just waiting to blossom.

Like โ€œCoda,โ€ โ€œFancy Danceโ€ is one of those pleasant surprises we didnโ€™t know we needed. It steps out of the shadows of bigger films and informs in ways we didnโ€™t realize.

ย 


Become a #ThisIsTucson member! Your contribution helps our team bring you stories that keep you connected to the community. Become a member today.

ย Bruce Miller is editor of the Sioux City Journal.ย