β€œAladdin,” brought here by Broadway in Tucson, is packed with strong singing, humor and magic.

If I could have just one wish from Aladdin’s Genie, it would be this: Clear, crisp sound at Centennial Hall.

That way we could have more thoroughly enjoyed the road show of the feel-good musical β€œAladdin” so much more.

But there is so much eye candy in this production, so much humor, that we had a grand time anyway.

How could we not? There was spectacular choreography by Casey Nicholaw, who also directed with a keen instinct of what’s funny. The colorful costumes by Gregg Barnes flowed and danced; the ever-shifting scenes (Bob Crowley) took us from a glittering castle to a bejeweled cave to a truly magical carpet ride; and the lighting (Natasha Katz) added drama and intensity.

Now, don’t misunderstand, β€œAladdin” is still just a Disney production, so depth and characterization are not explored.

But sometimes all you want to have is a good time, and this production, brought here by Broadway in Tucson, is definitely that.

A large part of that is due to Marcus M. Martin, who played the Genie with a sly smile and a wink-wink attitude. Martin sank into the over-the-top character making us love him as he danced, sang and helped Aladdin snag the princess.

Adi Roy’s Aladdin is determined and single-minded once he runs into Princess Jasmine in the bazaar where she lands after sneaking out of the castle to get a taste of the real world. And Senzel Ahmady’s spunky Jasmine played the role of the wants-to-be-liberated princess with soft but regal presence. The two were picture-perfect Disney characters β€” beautiful and pretty one note.

The singing all around was strong, but there’s that muddy sound at Centennial. Please Genie, will you grant our wish?

β€œAladdin,” brought here by Broadway in Tucson, continues through Sept. 10 at Centennial Hall,1020 E. University Blvd. Tickets are $40-$120 at the Centennial Hall Box Office or broadwayintucson.com. The runtime is 2 hours and 30 minutes.

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