Horror film producers love to retrace their steps. Thatโ€™s why there are so many โ€œElm Streetsโ€ and โ€œHalloweens.โ€

But the folks behind โ€œXโ€ have taken a different path and come up with sequels that arenโ€™t necessarily playing in the same wheelhouse.

In โ€œMaXXXine,โ€ the third film in Ti Westโ€™s trilogy, weโ€™re deep in the world of Hollywood.

Occurring six years after โ€œXโ€ (the one about gonzo filmmakers shooting a porno in the country), it doesnโ€™t quite have the surprise element of the first or its prequel, โ€œPearl.โ€ Instead, it rides the wave of โ€œOnce Upon a Time in Hollywood,โ€ recapturing a specific period in filmmaking and leaning in on the threat of a serial killer. In this one, itโ€™s the Night Stalker offing women on the streets of Los Angeles.

Thereโ€™s a suggestion that Maxine (Mia Goth) might be involved but, first, thereโ€™s a movie to be made. Itโ€™s โ€œThe Puritan 2โ€ and itโ€™s directed by a real stickler (played by Elizabeth Debicki) who insists itโ€™s a โ€œB movie with A ideas.โ€ Maxine is game, but she has others to worry about โ€“ including an investigator (Kevin Bacon), two cops (Bobby Cannavale and Michelle Monaghan) and a Buster Keaton impressionist who doesnโ€™t remain silent once the actress gets ahold of him.

As Maxine weighsย her options, the ranks close in and, soon, sheโ€™s forced to walk the mean streets alone.

West conjures plenty of โ€˜80s horror and manages to reference everything from โ€œPsychoโ€ to โ€œChinatownโ€ until his day pass on the Universal lot is up. Then, itโ€™s a lot of dark alleys and soundstages to walk by. Goth may have perfected the disconnected porn star guise, but itโ€™s of little value to something like this โ€“ a film that would love to be seen as an homage to some of the greats.

She underplays everything and doesnโ€™t quite understand the vibes Debicki is giving. If West wanted to up the value of his trilogy, he should have encouraged Goth to do more than show up.

When Bacon finds the sizzle, sheโ€™s hiding out in the โ€œPsychoโ€ house, oblivious to his Jack Nicholson tribute.

Westโ€™s details, however, rival Tarantinoโ€™s. He captures many of the eraโ€™s hallmarks and manages to make the Universal Studios Tour look like something you might want to revisit. When the Hollywood sign becomes a player, you realize this isnโ€™t in the same league as Ryan Murphyโ€™s โ€œHollywood.โ€ He got the signโ€™s dimensions right and managed to send up the industry without picking at its bones.

"MaXXXine" brings the woman's story full circle and helps explain why various things happened but it's of little consequence without the other films as context. See it alone and you'll wonder why the fuss.


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ย Bruce Miller is editor of the Sioux City Journal.ย