The young demonstrator had a demand for my colleague covering protests in Tucson late on May 29.
âAnnounce your privilege,â the masked woman told Caitlin Schmidt. âAnnounce your privilege!â
Schmidt stood silent, two Star colleagues aside her, and eventually the woman left her alone.
It was one of several periods of friction late that Friday night and early that Saturday morning when demonstrators confronted and even assaulted journalists covering the protest near the Tucson Police Department, 270 S. Stone Ave. Demonstrators attacked one freelance video journalist, Eric Rosenwald, three times, twice knocking him to the ground where he was kicked and hit. The same woman who confronted Schmidt also grabbed her phone and threw it away.
During protests in Tucson on the night of Friday, May 29 and Saturday, May 30, several protesters confronted and even assaulted journalists. One demanded that the Arizona Daily Star's Caitlin Schmidt "Announce your privilege."
The next night, police shot some journalists with pepper balls or nonlethal rounds as they covered a demonstration on North Fourth Avenue, witnesses said.
Itâs been a long hard slog for the American journalistic guild going back many years now. The recent protests have only brought into tight focus the variety of threats. The right wing calls us biased âenemies of the people,â inspiring some attacks; around the country police have been taking out their frustrations on us with projectiles, fists and batons; and left-wing protesters sometimes physically attack or try to control us as we go about our jobs.
We understand itâs a rough and tumble world out there, and that we sometimes make mistakes. Just last week, faced with online protests, the Star backtracked on publishing the names and photos of all 19 people arrested during the protests, leaving online only those arrested for felonies.
Still, this has gone too far. Itâs as if across the political spectrum, people have agreed to share an enemy â âthe mediaâ â and escalate attacks.
The Committee to Protect Journalists is investigating more than 300 incidents of anti-press violence and arrests in 53 communities and 33 states, said Courtney Radsch, the advocacy director of the committee. The most alarming trend has been that of police targeting people they know are journalists covering protests or riots in cities around the country.
In one widely publicized incident in Louisville, an officer took aim at a local television reporter and videographer while they were broadcasting live, hitting them with pepper balls. In another incident, Minnesota State Patrol officers arrested CNN reporter Omar Jimenez while he was reporting live, despite him offering to move wherever they wanted him to. These were not cases of mistaken identity, and they have been common.
âWeâll be holding them accountable,â Radsch said. âWe are demanding an investigation into these incidents and that everyone be responsible for attacking journalists be held responsible.
Tucson did not have clear cases of targeting by police, who invited reporters behind lines when things got ugly at times. But late Saturday night, some members of the news media were hit by nonlethal rounds, Brian Norberto reported as he conducted a Facebook livestream throughout the protest. He was one of those struck, several times.
âWhen I got hit directly, I was continuing what I did before, getting between the crowd and the police,â Norberto said. âItâs hard to say that police were directly targeting the media, but at the same time that night I could feel a difference from the night before.â
A key problem for police is the presence of people calling themselves journalists who might be hard to distinguish from protesters.
âEverybodyâs a journalist these days,â Tucson police chief Chris Magnus said. âIf people are saying âIâm a citizen journalistâ and hanging out in the middle of a protest that becomes dangerous, how are we to know who they are?â
He noted Tucson police protected some journalists who were attacked or harassed during recent protests.
The clearest cases of targeting were by young demonstrators against journalists. A KGUN 9 news crew was also aggressively confronted, their camera thrown to the ground, Norberto said. But the one who got it worst was Rosenwald, who grew up here, lived in California for 10 years, and moved back in 2016.
Protesters laid in the road for 8 minutes and 46 seconds in symbolic protest of the death of George Floyd.
âThey told me to stop filming,â Rosenwald told me. âThey claimed I was with the police or an agitator or not there as a journalist.â
Twice, he was struck and knocked down, then attacked on the ground, he said. The attacks were recorded by others at the scene, including Norberto.
During demonstrations at the Tucson Police Department that stretched from the night of Friday May 29 into the morning of Saturday May 30, demonstrators repeatedly attacked photojournalist Eric Rosenwald, twice knocking him to the ground.Â
âI was probably hit in the head like five times,â Rosenwald said Wednesday. âI still have some welts from that. (I was) kicked a lot when I was on the ground in the leg, foot, punched in the face.â
He got up and kept working.
âMy attitude was, âIâm not going to let them intimidate me.â â
A demonstrator slapped photojournalist Eric Rosenwald during a demonstration outside the Tucson Police Department the night of Friday, May 29 into the early morning of Saturday May 30.Â
Rosenwald, who also had a microphone stolen, filed a report with Tucson police on Thursday and believes he knows who at least one of the main attackers was.
One of the flashpoint issues, especially dealing with left-wing demonstrators, has been photographing and videotaping peopleâs faces. That appears to be one of the reasons demonstrators confronted Schmidt and Rosenwald.
Everyone has a right to photograph or take video of people who are out in public. People at a protest, especially, should not expect privacy.
But thereâs a precedent some people point to, to argue that journalists should either blur the faces of attendees at protests, or ask their permission to show their face in a photo. After a police officer killed Michael Brown in 2014 in Ferguson, Missouri, massive protests ensued. Six people who took part in those protests later were found dead.
Authorities said two of the victims died of suicide, one drowned, and one was an overdose, undermining the idea of targeted killing, but the idea has spread that it could be fatal to have your picture published while attending demonstrations.
Raquel Gutierrez, a local poet and teacher who served as spokesperson for UA rallies to get the Border Patrol off campus, told me much of the traditional news media appears not to have adjusted to changes in technology.
âI think journalism needs to own its place in the technological advance,â Gutierrez said. âThereâs a different playing field online.â
Itâs pretty simple, in other words, for malignant actors to go after people pictured at a protest. They can launch online harassment campaigns or worse â try something in person.
âIf you capture images and youâre going to run those images, what about contacting people in those images and asking if itâs OK,â Gutierrez asked.
While our photographers often do ask the name of people they photograph, photo editor Rick Wiley told me, they often donât in crowd settings where numerous people may be in a photo, often moving around or marching past.
Gutierrez is right that the stakes have changed since I started my journalism career in 1995. The consequences can be steep when a person is quoted or pictured in a controversial context. But I also know that agreeing not to picture people at a protest could be a dangerous concession for us. It could set a precedent for continuing new demands for self-censorship.
I also have trouble with the blurring proposal because it singles out traditional news media while dozens, perhaps hundreds of other cameras may be operating in a given crowd. Many of those people may be livestreaming, randomly broadcasting the faces of protesters to potentially thousands of people online.
What the problem often comes down to is that people want us to be clearly on their side, or theyâll consider us the enemy.
But our role is not to be on a side â or to ignore bad behavior by anyone. And we shouldnât have to pledge our alliance with a cause or risk being beaten.
Photos: Sunshine Mile (Broadway) in Tucson
Sunshine Mile in Tucson
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Hirshâs Shoes was built in 1954 and is one of 29 buildings in the district designed by architect Bernard Friedmanâs firm.
Sunshine Mile in Tucson
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Hirsh's Shoes, 1954, on the Sunshine Mile (Broadway Road) in Tucson.
Sunshine Mile in Tucson
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Hirshâs Shoes at 2934 E. Broadway, in Tucson, circa late 1950s (courtesy Hirshâs Shoes) and in 2016 (Mike Christy / Arizona Daily Star).
Sunshine Mile in Tucson
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The distinctive Chase Bank at Broadway and Country Club was once a Valley National Bank. It was designed by Don Smith of Friedman and Jobusch Architects in 1971.
Sunshine Mile in Tucson
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Construction workers build the Valley National Bank on the northwest corner of East Broadway Boulevard and North Country Club, on March 18, 1971.
Sunshine Mile in Tucson
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Valley National Bank, 1973, on the Sunshine Mile (Broadway Road) in Tucson.
Sunshine Mile in Tucson
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The Welcome Diner, built in 1964 as Samboâs Pancake House, is on the western end of Tucsonâs historic Sunshine Mile.
Sunshine Mile in Tucson
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Solot Plaza on the Sunshine Mile (Broadway Road) in Tucson.
Sunshine Mile in Tucson
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Kelly Building, built in 1964-65, on the Sunshine Mile (Broadway Road) in Tucson. Architect: Nicholas Sakellar
Sunshine Mile in Tucson
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View from Country Club Road on the Sunshine Mile (Broadway Road) in Tucson.
Sunshine Mile in Tucson
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Store in the Solot Plaza, built in 1958, on the Sunshine Mile (Broadway Road) in Tucson. Architect: Nicholas Sakellar
Sunshine Mile in Tucson
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Friedman and Jobusch Office, built in 1950, on the Sunshine Mile (Broadway Road) in Tucson. Architects: Friedman and Jobusch
Sunshine Mile in Tucson
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Old Pueblo Medical Group, built in 1965, on the Sunshine Mile (Broadway Road) in Tucson. Architect: Cain, Nelson and Ware
Sunshine Mile in Tucson
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American Evangelical Lutheran Church, built in 1954, on the Sunshine Mile (Broadway Road) in Tucson. Architects: Jaastad and Knipe
Sunshine Mile in Tucson
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Arizona Auto Refrigeration, built in 1951, on the Sunshine Mile (Broadway Road) in Tucson.
Sunshine Mile in Tucson
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Old Tucson Jewish Community Center, built in 1953, on the Sunshine Mile (Broadway Road) in Tucson. Architect: Bernard Friedman
Sunshine Mile in Tucson
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Anne Rysdale was Arizonaâs only female registered architect when she developed and built the Haas Building in 1957.
Sunshine Mile in Tucson
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A public workshop will be held May 18 from 9 a.m. to noon at First Assembly of God church, 1749 E. Broadway, to gather public reaction to a report on transforming the Broadway corridor into a public space as the city widens a portion of the street to six lanes.
Sunshine Mile in Tucson
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The Chase Bank at 3033 E. Broadway Blvd. is one of several architectural distinctive buildings along the Sunshine Mile.



