In her early 20s, as she was trying to find her place in the blues-rock world, Samantha Fish wrote songs that fit her idealistic narrative.
They told a story that might not have been entirely her own or had a message that felt forced or coerced.
âI listen to some of my early work and you know, I donât hate it and Iâm not like cringing anymore, but ... I feel like I can hear where I was trying to shoehorn in an idea that âit has to be thisâ,â said the now 36-year-old. âIf I would have just relaxed a little bit and let the song breathe, it probably would have naturally ventured into something else. Iâm not saying oneâs worse or better than the other, but Iâm trying to kind of allow things to breathe.â
On her ninth studio album, âPaper Doll,â released last spring, Fish took that concept to heart.
Samantha Fish brings her âPaper Doll World Tourâ to the Rialto on Sunday.
âI genuinely think itâs the most mature songwriting,â said Fish, who brings her âPaper Doll World Tourâ to Rialto Theatre on Sunday, Sept. 14. âA song will always dictate what it needs and where it wants to go.â
âI find sometimes my most stifled work is when I really am desperately trying to write about something that I like, something that happened to me, that I want to make a point about, and Iâm like, âThis song has to be exactly thisâ,â she added during a mid-August phone interview. âSometimes it can be stifled and it just doesnât come together naturally. When I let it go and let it breathe and let it become something else, it sort of frees it up and sort of ends up where itâs supposed to be.â
Fish recorded âPaper Dollâ in Los Angeles and Austin last winter with her road band â bass player Ron Johnson, drummer Jamie Douglass and keyboardist Mickey Finn. it was the first time Fish has recorded with the band she takes on the road, which was part of the genius of producer Bobby Harlow (King Tuff, White Fang, Jessie Jones).
âHe loved how the live band sounded, you know. He came to see us in Detroit and he really had an appreciation for the band,â she said. âSo capturing that kind of energy was the utmost importance to him and to me. Just to get these songs to have that kind of personality (of) living and breathing things.â
That live-on-stage vibe comes through on the scorching rocker âFortune Teller,â a collaboration with Detroit garage rock legend Mick Collins, and brings an elevated sense of heartache to âSweet Southern Sounds,â where long-distance love is worth the price âwhen you come around.â
The opening track âIâm Done Runninâ â is an anthem for embracing the moment and moving on â âThe past is coming undone, but I like where Iâm goingâ â while Fish tackles the cruelty of being molded into someoneâs unrealized version of you in the bruising title song: âYou pin me up just to tear me down, Iâm not your paper doll/Itâs by design, you change your mind âtil Iâm nothing at all.â
âI think itâs the most polished and also raw that the band has sounded,â Fish said. âAnd I think the guitar playing and the singing and the production and the album as a whole is just the best thing Iâve done.â
Fishâs show Sunday comes just over a year after the blues guitarist was on the lineup for Guns âNâ Roses guitar slinger Slashâs âS.E.R.P.E.N.T. (Solidarity, Engagement, Restore, Peace, Equality Nâ Tolerance) Festival Tourâ at the AVA at Casino del Sol and it will be her third show in Tucson since she played the Rialtoâs smaller sister venue 191 Toole in September 2021.
Fish, who has opened for The Rolling Stones on the bandâs final U.S. tour and toured with Christone âKingfishâ Ingram, earned a Grammy nomination in 2024 for Contemporary Blues Album of the Year for âDeath Wish Blues,â her 2023 collaboration with Jesse Dayton.
Her show Sunday, which begins at 8 p.m. at the Rialto, 318 E. Congress St., will draw heavily from âPaper Dollâ as well as her earlier albums.
âSelfishly, I like to play all the new songs because itâs fun for me, itâs fun for the band, and I like to create a show around the new record,â she said. âBut I know that thereâs an expectation to hear some of the fansâ favorite songs. ... So I try to mix in a little bit of what they like, a little bit of what I like and a lot of the new record.â
The blues duo Sgt. Splendor (Kate Vargas and Eric McFadden) opens the show. Tickets are $43.50-$76.30 through rialtotheatre.com.
Brian Bromberg and his bandmate from BPM Jazz, guitarist Paul Brown will be playing at the Tucson Jazz Festival at the Rialto Theatre as part of Bromberg's Unapologetically Funky Big Bombastic Band featuring Michael Paulo at 7:30 p.m. Thursday, Jan. 23, at Rialto Theatre. Tickets are available through rialtotheatre.com



